Mishka Jaeger
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My Artomatic 2017 Artist Interview

4/24/2017 By Mishka in Artomatic, Deco Era Fairytales, General, interviews, Little Yogis, Shows

Breathe

For Artomatic, we’re reviving the Artist Interviews. These are written interviews that will appear only on our Facebook Page.  Please keep your responses in the question & answer format.

1) Who are you and how long have you been an artist?

Mishka Jaeger: I’ve been an artist since I could finger-paint with my mashed peas and pureed chicken. I love creating and I’m scatter-brained. I’m not sure if that’s a bug or a feature because my media are inconsistent. In general, I like telling stories through my art. My focuses are childrens’ book illustration, women, food, music, and spirituality.

2) What medium(s) do you work in & why?

Right now it’s colored pencil. I didn’t realize I liked it until fairly recently. I’d been struggling with mixing watercolor and digital art with moderate success but I’m not really a watercolorist. In 2015, I began a series of illustration challenges where I needed to work faster and be more portable so I thought I’d give the pencils a try. Turns out they’re awesome!

3) What is your creative process like?

See “scatterbrained.” I tend to have too many ideas at once and many projects in the works at one time. I’m working on dialing in the focus and boiling everything down so I can be a bit more prolific. But I don’t really rough sketch. What purport to be my sketches tend to be more polished (which is why I’m showing some of them in my AoM display), and my sketchbook tends to look more like a journal. I often write out what I intend to draw instead of rough sketching because with rough sketching, I can’t always read my own visual handwriting later on. Once I’ve got a sketch that I like, I usually put it on the computer and noodle the layout around until I like it. A varying process of printing, light-boxing, inking, and re-digitizing are involved to clean up the lines. I use colored pencil over a 10% K-tone printout. I outlined this process in a little more detail while creating Art Deco Cinderella on my website blog in September 2015 (“Enchanted: A 1920’s Cinderella”).

4) What is the best art-related advice you’ve received?

Really it’s from Jane Yolen who is an inspirational master of organization, focus and creation, and a phenomenal human being and author. Her main thing is “butt-in-chair” That is to say, you need to do the work. You can’t do anything if you don’t do the work. After that, it’s that art is a business and if you want to succeed at it, you need to treat it as such.

5) What is the biggest challenge you face as an artist?

I still have small children at home, so actually finding the time, energy, and focus to do the work is a challenge. Apart from that, my challenge is to generate a following and then monetize my work (you wanted honesty, right?). I need to tell a better story so that people want to hear more from me. And then I need to tell it louder.

6) Choose one piece that you currently have on display at Artomatic and tell the story of that piece:

I’d been working through the 100 Days project when I had the privilege of attending a workshop with yoga master Tao Porchon-Lynch who turns 99 years old this August. She told us many stories about her childhood in India between the wars. One of her more popular stories was that she’d lie on the ground and listen to the grass grow. She said she could really hear it. That story inspired the first of my Little Yogi illustrations, and I drew my version of a young Tao lying and listening to the grass. Later that week while cleaning out my 20 years of magpie-collected papers, I turned up a bookmark that read, “I breathe in and out and my whole body calms down.” It was fortuitous. Now there are two things I strongly believe we need to do to live happier, healthier lives. The first is to get a good night’s sleep (and I’m still not so good at that). The second is pausing to breathe mindfully. It gives you time to think before you act, and deep, slow breaths do calm you down. So “Breathe” became my next Little Yogi. Now you can have a card to remind you to breathe too. Pick one up in my AoM space #3402 behind the theater.

7) What is your favorite part of the Artomatic experience so far?

It is always meeting new local artists, seeing what they’re working on, seeing what we have in common, and learning from their work and creative processes.

8) How can people find you online?

Always by my name:

www.mishkajaeger.com

https://www.facebook.com/mishkajaegersketchbook

https://www.etsy.com/shop/MishkaJaeger

@mishkajaeger on Twitter and Instagram

 

Read more about my Artomatic 2017 Show…

Artomatic 2017

3/24/2017 By Mishka in Artomatic, Children's, etsy, General, SCBWI, Shows

Artomatic, the area’s largest free pop-up art museum returns to Crystal City!

This year features over 600 artists, performers, musicians, and creatives of all stripes showcasing their talents on seven vacated floors of a former Department of Homeland Security building at 1800 S. Bell Street in Crystal City, Virginia.

Living in the DC area definitely provides some weird opportunities.

Anyway, look for my work in space#3402 on the third floor behind the movie theater. Look for this sign:

As you see, I’m sharing the room with my talented and creative friend, the incomparable, Alexandra Zealand!

You’ll have to check out the project she’s working on as well!

My little helper. Maybe we should put her to work painting the living room now?

The small works I’m showing this year were created for illustration challenges Kidlitart28…

…and the 100 Days Project that produced a series of food illustrations and the Little Yogis series. It’s also where I discovered that I love working in colored pencil.

I noticed I haven’t posted much about my other works from the 100 Days project. I should fix that.

A tweet that wondered what fairy tales would look like in the style of Erte inspired me to begin a series set in the 1920’s.

Other subjects I frequent include children, food, goddesses, spirituality, and Jewish themes.

My daughter (who is now almost 6) watches me in the studio. She often asks me to print out my line art so she can color it in HER way. She wanted to help create this display. I figured why not?

Where else but Artomatic can you really let your child crayon on the walls? She says she wants to be an artist when she grows up. But she’s an artist now (goddess, help me!)

Prices for original colored pencil pieces range from $35 – $350

Archival quality prints of everything in the show are available — just write me for details. They’re $12 for 5 x 8 — $17 for 8 x 10 exclusive of shipping.

Some prints are currently available in my Etsy shop. 8 x 10 archival prints are $17 until May 8th – throughout the run of the show. Use promotion code, “AoM2017” at checkout.

I will be making more prints available in the coming weeks.

Meanwhile, see you tonight at the opening of Artomatic 2017!

AoM 2012: TSIAWOA Bluegrass

6/1/2012 By Mishka in Artomatic, General, Series, Shows, The Score is a Work of Art Tags: tsiawoa

Bluegrass music mostly originated from the old time music of Appalachia, which itself was partly imported from the British Isles. Country, Gospel, Blues and the amorphously named “American Folk” styles were also thrown into the mix. More or less codified by the middle of the 20th century, the name and instrumentation derived from Bill Monroe’s Blue Grass Boys band whose members also included Earl Scruggs and Lester Flatt.

Each piece shown here represents both a bluegrass song as well as one of the instruments that comprise the bluegrass band. The pieces are strung with the strings of that instrument. I did some of the arrangements myself (though that is hardly saying much considering I could only fit a couple of bars on each piece). Yes, in some cases I committed the blasphemy of altering the key to make the notes fit and look better on the staff. The banjo piece was also influenced ever so slightly by the work of George Crumb.

Though Bluegrass music has evolved over the past 75 years, the basic flavor of the music remains the same. The musicians I’ve chosen, who play the music on which my pieces are based, represent different generations of performers and styles but none of the songs themselves are particularly new.


Fiddles


Hear the Music

Little Cabin on the Hill (#2 & #3): Bill Monroe, Lester Flatt & Earl Scruggs

Oh, someone has taken you from me,
And left me here all alone,
Just to listen to the rain beat on my window pane,
In our little cabin home on the hill.

Guitar


Hear the Music

The Blackest Crow: Uncle Earl

The blackest crow that ever flew would surely turn to white,
If ever I prove false to you bright day will turn to night,
Bright day will turn to day my love, the elements will mourn,
If ever I prove false to you the seas will rage and burn.

Banjo


Hear the Music

Blackberry Blossom: Mean Mary

instrumental

Mandolin


Hear the Music

Pretty Saro: Engines Of Commotion

My love she won’t have me so I understand,
She wants a freeholder and I have no land,
I can not maintain her with silver and gold,
Nor buy all the fine things that a big house can hold.


Resonator Guitar (Dobro)


Hear the Music

Big Scioty: Aly Bain and Jay Ungar (Jerry Douglas-dobro)

instrumental
Music from these artists:
Transatlantic Sessions – Series 1: Volume One
Jay Ungar & Molly Mason
Jerry Douglas

Bass


Hear the Music

Wayfaring Stranger: Johnny Cash

I’m just a poor wayfarin’ stranger,
While travelin’ through this world below.
Yet there’s no sickness, no toil, nor danger,
In that bright land to which I go.
I’m goin’ there to see my Father.
And all my loved ones who’ve gone on.
I’m just goin’ over Jordan.
I’m just goin’ over home.

Artomatic 2012 Publicity

5/30/2012 By in Artomatic, General

“Little Cabin on the Hill #2 & #3” are included in the Arlington Connection’s photo spread for Artomatic (Photo #3).

http://www.arlingtonconnection.com/photos/galleries/2012/may/23/artomatic-2012-opens-arlington/1087/

I met the lovely sculptor, Tammy Vitale, at Artomatic last Saturday night. http://tammyvitale.com/artomatic-2012-if-you-dont-ask-youll-never-know/

And got interviewed. http://tammyvitale.com/artomatic-2012-interview-18-mishka-jaeger/

I am listed among the artists using repurposed materials by SCRAP-DC. http://scrap-dc.blogspot.com/2012/05/artomatic-is-back-in-dc-have-you-been.html

My art gets a little “face time” in this video from Arlington TV (Arlington County Government’s cable channel. Airing locally on Comcast channel 25 and Verizon channel 40.)

And a nice review on the MetroArlington blog with a slightly different perspective on my work. http://www.metroarlington.com/blog/dcs-biggest-creative-event

Artomatic 2012

5/16/2012 By in Artomatic, General, Shows, The Score is a Work of Art

Before:

After:

Artomatic is back! After 3 years, the artists have taken over an entire vacated office building in Crystal City (over by the Pentagon and National Airport in Arlington, VA). Man what a dusty, stuffy old space. I got stuck with blue carpet but what the hey. I’m generally pleased with my show this time around. It’s another part of The Score is a Work of Art series but dedicated to bluegrass music. If you’re in the DC area, check out Artomatic. My space is on the 11th floor behind the service elevator. (Space#11-3-03-0262 – Floor 11, Section 3, Area 3, Space 0262).

In other news, we just bought a new house and are selling our old one. We move in late June. It’s a great diet! Try and put an art show together while simultaneously packing up your house so it looks like you don’t live there and also chasing a 13 month old around who has suddenly figured out walking. Yeesh. I’ll be happy to get to the beach in July.

Edit: Here are some photos of the bluegrass band. If I was cleverer, I would have named it and posted a set list on the wall.

Wayfaring Stranger (Bass)


Big Scioty (Resonator Guitar)


Pretty Saro (Mandolin)


Little Cabin on the Hill #2 & #3 (Fiddles)


Blackberry Blossom (Banjo)


The Blackest Crow (Guitar)

Artomatic Preview IV

5/28/2009 By in Artomatic, General, SCBWI

http://www.artomatic.org/user/2607

And I got a mention in the Washington Post Blog:
http://voices.washingtonpost.com/goingoutgurus/2009/06/artomatic_is_underway.html

So far this has just been a wonderful experience for me. You pay $99, you get an 8′ x 8′ bit of plywood. Now go strut your stuff! Here is my wall before and after:

My wall on site selection day.

My wall on Tuesday Night.

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